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Zorba Le Break
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Présentation du site Zorba Le Break :
Chroniques et critiques musicales subjectives mais pertinentes de Zorba le Break. Hip hop, soul, funk, R&B, jazz, rock, electro, reggae, soundtracks, psychedelia. Mais aussi des bandes-annonces de films, des liens, des MP3, des mixes exclusifs et quelques vidéos.
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Resonance - Moto Rock b/w Safari Love (Sirocco - 1974)
I found this Resonance 45 RPM yesterday on a secondhand market for 50 cents and despite the cover was missing, it was definitely a good deal. Both titles are credited to Bacson which is in fact a duo composed of Pierre Bachelet and Mat Camison. They released several singles and one album under the Resonance moniker and all are favorites of any decent eurogroove digger. Moto Rock is a surf track with loud moto engines noises on it, trying to reproduce the atmosphere of a racing field. The real scorcher is the side B, Safari Love, an infectious tribal funk piece, charged with filth and based on
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Dingo! - Sexopolized by DJ BNX (Pulp Flavor - 2001)
Pulp Flavor, Dare Dare and Vadim Music are the different names of the same label. Based in Grenoble, it is (was?) one of the best reedition label I know, the French equivalent to Finders Keepers. They recently destocked all their records and their web site is under maintenance since one month and I don't know if they didn't go bankrupted, which would be a damn shame. Anyway, Dingo! is a French pop and library music compilation made by DJ BNX from Bordeaux that deserves all due praises. If some big names are present here (Zozoi by France Gall, High Tide by library king Jack Arel, Francis
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Tom Dooley - Don't Leave b/w (I Can't Get No) Satisfaction (TRX Records/Festival - 1969)
I have a theory that in every record collection there is at least one good record. Lately, I digged in a record collection that was taking dust in the cellar of old acquaitances. And I didn't expect myself at all to find that excellent deep soul 45 RPM. I haven't found much on the internet about Tom Dooley. He was a white FM deejay from Kentucky, lead his own band, The Lovelights and recorded 5 singles for Nashville based TRX Records, a sublabel of Hickory Records (http://www.79waky.com/tomdooley.htm). The band never really made it and disbandled quickly. Tom Dooley stays well known in Norther
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Ennio Morricone - So Sweet So Sensual (Cinevox/Pick Up Export - 2003)
This nice 15 tracks compilation pays tribute to Ennio Morricone love themes from his best 60's and 70's Italian B-movies soundtracks. It is not necessary to write much more to convince you to make the acquisition of this record, especially if you are not that familiar with Morricone's work except his work made for Sergio Leone. The master was then at the top of his inspiration and was churning out classics after classics whether it be Il Gatto, Forza G, 4 Mosche Di Velluto Grigio or L'Uccello Dalle Piume Di Cristallo, all well represented here. So Sweet So Sensual, also known as Erotica Morric
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Willie Bobo - Juicy (Verve - 1967)
What attracted me first to Juicy was its cover that looked good: an orange and a pretty lady dancing on its skin. And the music that goes with it is damn nice too. Willie Bobo and his band play latinized cover of R&B hits of the time (Knock On Wood, Mercy, Mercy, Mercy or Ain't Too Proud To Beg). But the timbales palyer is at his best when he and his pals play his own repertoire on La Descarga Del Bobo and Shing-A-Ling Baby. This album certainly won't change your life but it will give you some pretty good times and make you in a party mood which is as well what this kind of music is made f
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Mato - Hip Hop Reggae Series Vol. 4 (Stix - 2012)
The first three volumes of the Hip Hop Reggae series have been downloaded nearly 3000 times on this blog! In fact they are directly responsible for a large part of my trafic. So I expect my little success by posting the fourth volume. Mato didn't change his winning recipe, already used on Vol. 2 and on Vol. 1 and 3 by his partner un crime Taggy Matcher: reggae interpolation of classic hip hop tunes with the a cappella vocals pasted on it. Like always it's very well made. This time, it's the turn of De La Soul, Wu-Tang Clan Naughty By Nature, Nas, Missy Elliot, Lords Of The Underground, Cypress
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Dancehall - The Rise Of Jamaican Dancehall Culture (Soul Jazz Records - 2008)
Every reggae compilation released by Soul Jazz Records is a must have, Dancehall included. This compilations offers insights on the Jamaican dancehall scene between 1977 and 1993. Like always with Soul Jazz, you'll find obvious classics and more obscure tracks but every single of them is just a scorcher. If you read this post, you probably know what you are about to download so this time, no Youtube or Soundcloud snippets is needed.Download => Dancehall CD1 Download => Dancehall CD2
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Big Youth - A Luta Continua (Heartbeat - 1985)
Usually I am very careful with reggae albums made in the 80's. Reggae was going digital at those times and the rich instrumentation of the 70's was replaced by cheesy electronic drums and keyboards based melodies. A Luta Continua is an exception. Produced by Herbie Miller in Jamaica, Big Youth toasts on instrumentals and backup vocals provided by musicians like Robbie Sakespeare, Sly Dunbar, Leroy Sibles or The Tamlins. Clearly roots, this album is dedicated to the Black people struggles figures in Africa or in the US. Nice riddims, a good DJ well inspired, revolutionary vocals, what else woul
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La Formule Du Baron (CBS - 1969)
All right all right, this one is not a that much hidden French deviant groove gem. It has been already pretty much blogged about and is famous all around the world among beat diggers, break fanatics, rare groove connoisseurs, euro groove fanatics. Bernard Estardy, to compose it, used his studio as a proper instrument and it's probably while La Formule Du Baron sounds that much unbelievably cool, still up to date and good. Some would still today sell a testicule or a kidney for that sound and that level of inspiration. The funniest thing is that Bernard Estardy, seconded here by Etienne R
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This Are Two Tone (2 Tone Records/Chrysalis - 1983)
Jerry Dammers started 2 Tone Records in 1979. With a strong visual identity (the iconic Walt Jabsco logo, created with Horace Panter and designer John "Teflon" Sims, the black-and-white check patern) and an excellent roster consisting mainly of Jerry Dammers own The Specials, Madness, The Selecter, The Beat, 2 Tone strong imprint on British society of the early 80's cannot be dennied. Its mix of ska with post-punk flashes was at first the soundtrack of the fights against racism, Maggie Thatcher and its reactionary rethoric. The skinhead movement fell then into fascist brutality and hooli
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Pucho And His Latin Soul Brothers - Yaina (Right-On Records - 1971)
Yaina is a Latin classic. In fact, it's Harold Jazzbo Alexander flute trickeries that largely steal the show and make the real worth of this instrumental album and make it fall into the " classics" category. It starts with an excellent jazz funk Rolling Stones cover, You Can't get Always What You Want, that was not on the first original release of album but is on this 1996 Ubiquity reedition. Then you can find the eerie anti war Cease The Bombing and burn up the dance floor with Chitterlings Con Carne, its cries at the beginning and the flute that answers to the guitar. Those
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Can You Dig It? The Music And Politics Of Black Action Film 1968 - 75 (Soul Jazz Records - 2009)
Among all the compilation made about Blaxploitation movie, Can You Dig It? is probably the most complete and ambitious. Complete because among the 34 titles of this double CD you will be able to find the main and most interesting titles of the era (nothing important has been forgotten). Ambitious beacuse it is sold with a 96 pages real book with a rich iconography that make it by itself a necessary purchase even if you probably already possess under one form or another the majority of the titles. Coffy, Shaft In Africa, Trouble Man, Willie Dynamite, Across 110th Street, The Mack, Black Caesar,
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Dou Da Dou - The Unlimited French Lostcatalogue (Vadim Music - 2005)
Vadim Music is a nice label located in the French Alps, near Grenoble, and specialized in the reedition of French pop, pysche, library, soundtracks or jazzy nuggets. Dou Da Dou is an excellent compilation of rare singles by the likes of France Gall, Jack Ary, François de Roubaix or Demis Roussos. Some of those names might afraid people familiar with French music, because they quickly fell into mainstream mediocrity but Vadim guys exhumed pretty intersting sides of their work. France Gall song, Zoïzoï, stays her most sought-after recording while Demis Roussos' A Travers Montmartre, penned wi
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The Black Eagles - Warning (Wild Flower - 1980)
I bought the VP 2004 CD reedition of this record and I don't really know if Warning was effectively released on Wild Flower in 1980. Its original release date is subject to debate among reggae heads (i.e. the Roots Archives Forums if you are interested http://www.roots-archives.com/forum/). The Black Eagles were a band created by Denroy Morgan in 1970. They relased a handful of 7" and the Warning LP. Warning was recorded in Harry Jay studio en Jamaica porbably in 1978 then overdubbed in New-York. It's a record that is not that common, that has not been that much posted and pretty good to have
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The Revolutionaries - Earthquake Dub (Earthquake - 1976)
Earthquake Dub was the first dub album produced by Ossie Hibbert and was released on his own label, Earthquake. The album was released as well on Joe Gibbs Record Globe imprint and on Count Shelley's label, Live & Love in the UK with all the tracks retitled. The Hot Pot Records reedition I post today follows the titles as used by Ossie Hibbert on the original release. As often with dub albums, Ossie used versions and recut of songs and riddims made for other artists. That's how he used the bassline to Keith & Tex's Stop That Train but with new horns arrangement. You can find pieces of
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Psych Funk Sa-Re-Ga! - Seminar: Aesthetic Expressions Of Psychedelic Funk Music In India - 1970-1983 (World Psychedelic Funk Classics - 2010)
If I consider that already ten people have downloaded yesterday's post (Bollywood Funk Experience), Psych Funk Sa-Re-Ga! should interest at least the same people. Behind World Psychedelic Funk Classics you can find Egon and the Nown Again crew. So this time, expect an Indian psyche funk music compilation that lives up to its name, with effectively a lot of funk, hard breakbeats and psyche in it. But don't expect it to be the kind of underground compilation that digged ultimate Bollywood nuggets. As you can read in the nicely illustrated booklet, this compilation serves as an introduction to th
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Jonny Trunk & Joel Martin Present - Bollywood Funk Experience (Nascente - 2010)
You've got two parts in this compilation. The first part is a bit disapointing: the tracks selected are undoubtely Bollywood but there is not much funk in it. It's not that it is bad, it's just that I don't know much about this musical form and it sounds more like Indian restaurant muzak to my profane ears. Things start to get serious with the 9th track, a surf/funk piece fused by a wah-wah guitar called Pyar Chahiye Keh Paisa and due to Charanjit Singh. Then comes 4 tracks by Indian funk master RD Burman, an artist often compiled in the Western World: the instrumental Unknown Incidental Music
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Those Shocking, Shaking Days - Indonesian Hard, Psychedelic, Progressive Rock And Funk : 1970 - 1978 (Now Again - 2010)
If you are fed up with my previous Mods posts, you'll find today rarest and more unusual sounds. Egon's one and onely Now Again Records label, explores this time the Indonesian psyche scene of the 70's. American, West European and African scenes have been largely explored, compiled and reedited but the Asian artists stay relatively ignored. Egon associated his digging forces with Jason "Moss" Connoy and Benny Soebardja to release this 20 titles anthology. Those Shocking Shaking Days is your only chance to ear Rollies funkd Bad News, Shark Move's Evil War, already sampled by Madlib, Super Kid
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The Mark Four - The Creation (EVA Records - 1992)
If you like my Decca post a couple of weeks ago, then you'll appreciate this german pressing compilation of the sides recorded by The Mark Four/The Creation between 1964 and 1967. The Mark Four switched their name for The Creation in 1966 and had already changed two of their original line-up members (http://en.wikipedia.org/wiki/The_Creation_%28band%29). When Alan McGee decided to create his label in 1983, Creation records, he borrowed the name of his favorite band, The Creation. This is probably one of the biggest legacy of The Creation, a band that is still vowed by garage aficionados. When
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The Trashmen - Surfin' Bird (Garrett Records - 1963)
If you want to learn everything about The Trashmen, just hit the internet or read the nice line note of this excellent Charly 2011 reedition. Surfin' Bird has acquired a cult status amon punk and garage collectors and when you hear their raw take on rock'n'roll, you easily understand why. Surfin' Bird, their only hit single, is a combination of two R&B hits by The Rivingtons, Papa-Oom-Mow-Mow and The Bird's the Word and probably the first single to chart with a sick punk voice on it. The Trashmen gained a new popularity in the mid 90's when Quentin Tarentino made of Misirlou the opening th
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